
My Boxing Day mix was meant to showcase at least 3 labels yet I’ve realised just one measly release from Wicked Jungle Records was in the mix. To make up for it, here’s a set with tracks from just that label alone.
The sound of this label made me want to start a blog post with, “why oh why oh why didn’t we have stuff like this in the mid-90s?” and I’ve realised why: limits on technology, red tape, craft and sheer volume of output. The vibe of the nineties has been plucked out almost surgically and zinged (that’s the only word I can think of for now) into modern Jungle on this label State-side. Absolutely prodigious material.
I’m always the first to hold my hands up if I’m wrong, as I’ve had a couple of sly digs at the modern scene in this blog; recently a young lad at my work told me he had a Pioneer DDJ-200 in the back of his car. Curious, I asked to see it and he came out with this little controller that had everything you ever needed on a mixer and it was well made. He hooked it up to his phone DJ software and car stereo speakers all via Bluetooth (tech unavailable 10 years ago) and we had a little DnB ‘jam’. I thought it was awesome. Instead of saying in an old creaky voice, “ooh it were much better in my day” I told him to keep pushing himself, share the shit out of his mixes on all media platforms, take hours to look for new artists’ releases in all nooks and crannies of the internet and embrace the wealth of talent out there, most of it for free. He replied with the most thoughtful thing: “I wish I was born earlier so I could have gone to the Jungle clubs in the nineties”. I nearly replied, No, you don’t, as a memory resurfaced of me and my mates sitting in a battered old Fiesta on a McDonalds car park on a rainy Tuesday night circa 1993 smoking endless fags [my US cousins should note that fag is English slang for cigarette otherwise that last sentence reads very, very wrong] and listening to a fourth-copied Stu Allan cassette tape, the headlights dimming with the bass line. Now that was what you called waiting for the weekend to arrive.
So, here we are, a unification of both worlds with the same music across at least a quarter of a century with an energy that I felt at the time had to be mixed as a a chop n’ filter-fest; listening back, it’s all a bit messy and doesn’t uphold the precision it deserves. I let the film samples run, cos they were ace, and there’s a couple of slightly offset tracks in there which show Wicked Jungle’s excellent diversity, rather than my tunnel-visioned amen route: FOTH’s (Fool On The Hill) Keep On Spinnin that samples a doorbell – yeah, you read that right – and DJ Dirty One’s Roll The Drums, a unique slice of Jungle rollidge that keeps getting looped on my car stereo. You’ll also find that I’ve dropped Aseity’s Silent Assassin in again from the last blog mix. Yeah, why not man? Finished off with my fave artist of 2020, BC Rydah, where one of his tracks I’ve found online is a remix of Brainkillers’ Screwface that I’m keeping all to myself, tee hee. And to think we used to laugh at the Americans for attempting to make 160+ bpm Jungle. As we sat in that rusty 1981 Ford Fiesta on the outskirts of Birmingham.

DJ Swipez – Wicked Jungle Records Mix Mediafire download
Tracklisting:
- JungleMantis & Rez – Swords & Daggers
- Msymiakos – Stabbed
- Rez – Dark & Endless Skies
- Marv – The Juice
- Msymiakos – Ah Yeah
- Aseity – Silent Assasin (Original Mix)
- Fathom – Quest
- Kayaman – Untitled Jungle 2
- Marv – Pines
- Rez – Vega (A Lyrae)
- Self Aware – Degloved
- Rez – Dreaded Signal
- Thumbzo – Delusional
- Kayaman – Tape Clip (Bonus Tune)
- FOTH – Keep On Spinnin
- Rez – Tribesman
- DarkAli – Losing My Mind
- DarkAli – Be No More
- XLuther – Low Tech
- Fathom – Mindkiller
- DJ Dirty One – Roll the Drums (Rock Your Body)
- BC Rydah – Street Tuff













